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American Gangster, reviewed

Posted by Louis James on March 1, 2008

Saw American Ganster. Overall, a decent movie. Worth the time and Netflix “rental”. Had I spent the $ in a theatre, I might have been disappointed. It wasn’t so much as it was a bad movie — in fact it was a great story — but it never really draws you in.

It was your typical Ridley Scott blockbuster movie. It sounded great and looked great. But the glossy style never really let you in to the heart of the story, which was essentially two characters at opposite ends of the law. I’m not sure this was the proper grist for the Scott Free mill. This script needed a more deft hand, as it was more a play than a music video. Yet they dressed it all up with the all the fancy trappings of modern day production quality, instead of letting the characters play the words out against one another.

At the very end, when we find out (through a short montage and subtitles) that the two enemies are now working together, and then did so for another decade or more, you feel you were short-changed on your typical cops and robbers caper and denied what could have been a very unique film.

Denzel Washington’s talents were wasted. Russel Crowe’s talents were wasted. Hell, even Cuba Gooding Jr.’s talents were wasted; why was he cast in so small a part? The movie was over scored and over cut. The pace never let up for a second to allow you to emote with any of the characters and you never felt empathy for anyone. The violence of the movie had the affect of a bad horror movie where you think, “wow, look at the blood effects that Hollywood can pull off these days” rather than make you feel the tragedy of human cruelty.

The end of the Vietnam War and its ramifications on the plot are considered by the viewer long before any of the characters. The main character is portrayed as a micro-manager, and you are left wondering why he never considered how his supply chain might be affected by the status of hostilities in Vietnam.

American Gangster felt like it was made by focus groups and studio executives rather than filmmakers. I don’t think anyone is ever going to say, “you’ve gotta see this movie!” Nor do I think anyone will say, “this movie really sucked.”

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See {proof}

Posted by Louis James on December 6, 2006

See the movie {proof}. It is the best movie I have seen in years and years and years. This is one of the movies that makes you want to make movies, that reminds you why you wanted to make movies in the first place. It really is that good. Perhaps it is because it is based on a Pulitzer prize winning play rather than a tv show or a comic book. Perhaps it is so good because of the combined talents of Auburn, Madden, Paltrow, Hopkins, Gyllenhaal, and Davis. All I know is it is absolutely the best recently made movie I have yet seen.

SEE THIS MOVIE!!!

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Jarheads

Posted by Louis James on January 15, 2006

Saw the movie Jarhead. Good film, but some impossibilities exist in it:

1) At the beginning of the film, during training, Staff Sgt. Sykes accidentally kills one of his men in a live-fire drill as he fires a machine gun over their heads. Sykes is not investigated or reprimanded at all. In fact he goes on to lead a squad of men into battle. In real life Sykes would have most likely be relieved of his command, or at least demoted. Not to mention that Drill Sergeants that train Marines in boot camp would need to apply for transfer out of that duty to go into combat duty. The film makes it seem this type of transfer is commonly granted and even status quo; that the Marines have no need or interest in retaining Drill Sergeants for further basic combat training purposes. And if a Drill Sergeant did seek and was granted combat reassignment (which almost never happens) that Sergeant would probably never be assigned a squad that they had personally trained. NOT TO MENTION, machine guns are never fired with live rounds at recruits in basic training. Maybe in the BUDS training of Navy Seals, maybe. ALSO, Sykes constantly shouts profanities at his recruits in boot camp, which is officially banned nowadays, but wasn’t always, but certainly was from at least 1989 forward.

2) Quite often it seems that the squad of men depicted in the film are the only troops around. They never seem to be part of a larger unit, like say a platoon or company. And Sykes doesn’t seem to answer to a superior officer like a Lieutenant or Captain. The squad always seems to be secluded by themselves. We watch them carry on as the camera moves around them, and we never see any other troops or military hardware in the background, except in one or two short scenes. (No wonder they catch some friendly fire from some A-10s!) Meanwhile, all throughout the film, we are shown subtitles that count up the level of troops in the region, culminating at 500,000. I doubt that more than 50 troops were ever shown in any one scene in the film.

3) Marines are shown playing football in full MOP-4 chemical warfare suits in 112-degree weather. Most all the men would have collapsed and perhaps died because it is so hard to breath in gas masks, and full anti-chemical suits don’t exactly “breath” either. They ain’t made out of linen! Yet all we see is one Marine fall to his knees, which is played out as a comic moment.

4) When Swofford and Troy are in place to snipe at an enemy commander, Major Lincoln orders them to stand down, as he decides to call in an air strike instead. Troy, in frustration for being ordered to stand down, attacks and fights with Major Lincoln. Troy is not reprimanded or punished for this insubordination. Some form of reprimand would most certainly occurred in real life. I mean, Lincoln barely even yells at Troy!

5) After the scene described above, Swofford and Troy become separated from their squad. No one from their squad tries to locate them. Swofford and Troy are left to find their own way back to their squad, as if given up for dead. This would NEVER happen in the real Marines, not nowadays.

6) At the end of the film, when Swofford and Troy do find their own way back to their squad, they find out that the war is over. Swofford complains that he never got to fire his rifle. Troy suggests he does so now. Swofford fires a round into the air. Other members of the squad follow suit and expend entire magazines of ammo into the air, with rifles set to full automatic fire (which most M-16’s don’t do, but rather fire in 3-round bursts instead). Random and pointless discharging of small arms in a non-combat setting is distinctly prohibited in all branches of the armed forces. Then they start burning their battle dress uniforms in a huge bonfire. No Sergeant would allow such anarchic and blatantly dangerous behavior, especially a former Drill Sergeant!!! Sykes does though, I guess since he doesn’t seem to ever have a Lieutenant around to answer to. PLUS, they would still need their clothes and ammo since they were still in the middle of nowhere in the desert at night. Duh!

7) After the scene described above, it seems the troops go home the very next day! Impossible.

Okay, so not every scene needs to be perfect and by the book military-wise, as things do go awry in the fog of war. But this film is so not by the book you have to wonder if the filmmakers even knew the book existed!!!

Nonetheless . . .

Jarhead was an interesting insight into Marines in training for, and “fighting” in the first Gulf War. I quote fighting, since the Marines depicted in the film never actually see any combat, though they are blood thirsty for it, Hoo-ahhs, and all. As one marine notes, bursting the bubble of the men in his squad, “our rifles are sighted for 1000 yards” as A-10’s fly overhead, “the action is miles away.” (Not an exact quote.)

The movie’s effect is to show gung-ho troops trained to the point of near robotic insanity being denied the opportunity to use their training. And bored silly from incessant drills while waiting for combat to begin. One thing that was interesting was to see Sam Mendes cover some of the boot-camp madness of basic training that Kubrick did in “Full Metal Jacket,” right down to the praying to the rifles bit. Now I’m sure this is what they actually do in boot camp, but, why would Mendes offer up such a weak rendition of this material knowing full well that Kubrick nailed this stuff with master strokes that are considered classic? I mean, go somewhere else with boot camp, don’t think you can trump Kubrick for Christ’s sake! I found myself replaying scenes of FMJ while watching this film, which is not a good thing for Sam (but pretty cool for Stanley!!!).

Still, the movie is worth seeing, falling somewhere between “Three Kings” and “Catch-22″. But it’s hard not to draw some of the same thematic parallels between “Jarhead” and “Full Metal Jacket.” To me, “Full Metal Jacket” carried a theme about how the soldiers trained so much and where taught to love and pray to their rifles, yet when the climatic moment comes, the main character’s rifle jams and fails him. Which kinda carries the whole futility of war message of most war movies (except for “Starship Troopers”, though sci-fi, which seems to be perhaps the only pro-war movie ever made.) [TANGENT: I metion "Starship Troopers" 'cause that was Friday night's viewing. I seem to remember that Denise Richards was shown bare-chested in a coed shower scene the first time I saw this movie. Did they cut this out for on-demand viewing, or is my memory shot? I mean half the reason I decided to watch it again was to see Denise's perfect breasts!] “Jarhead” too runs the same theme of rifles and training failing the troops, but not because these things actually fail them when most needed, but because they are never really needed in the first place.

Still great acting from Jake Gyllenhaal, Steven (John Malkovich called, he’d like his vocal chords back) Sarsgaard. Does Sam Mendes have something for male actors with double- a’s in their last names? Jamie Foxx also turns in a great scene-chewing-up performance. Evan Jones does a great job too. But is it me, or does Evan look like a young and slightly bloated Flea?

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Blood for Oil

Posted by Louis James on January 9, 2006

Saw the movie Syriana (or Fat & Scruffy George):

I was expecting a lot from this film. And I got a lot. Too much. There is so much going on in this movie that you really cannot make sense of it. I understand that that was probably part of the point; that if the topic of the movie is so complex that the characters in the movie can’t figure out what is going on, then why should the viewer? But it comes off all too chaotic and anarchic to have any real effect to the point where you’re actually moved by the film. And it falls short while going long like most movies of this type that have too many characters and too many storylines intercut with one another: the viewer is expected to believe that since we haven’t seen a character in awhile that that character’s transition that was hinted at in the last scene we saw them in is now entirely complete. Instead of actually seeing people’s minds and attitudes change, we are left to fill the gaps with our own imaginations. The worst case of this in the movie is in the storyline where the unemployed teenage Muslim turns into a suicide bomber. He seems perfectly happy and jovial through every scene and never seems to buy the bullshit the Mullah’s are covering him in, then all of a sudden he’s about to blow up an oil tanker because a Mullah said “it’s time”. And then we do not even get to see the damn oil tanker explode!!! Yet we get to see a Range Rover blow up in Matt Damon’s storyline, so what gives? Not to mention a car exploding in George Clooney’s storyline; a car that is blown up by the same type explosive as the oil tanker falls prey to, which is such a damn big deal to the movie and a main motivation for Clooney’s character. Instead of a nice big, huge and nasty explosion of an oil tanker (ala the USS Cole), the film cuts to white right at the moment of impact like some low-budget thesis film. I mean, come on, I spent ten fucking bucks guys!!! Next time call in ILM.

I suppose you would be impressed by this movie if you have not been paying attention to politics and current events over the last decade or two. You mean to suggest that politicians and oil companies both sleep in the same bed of corruption??? Jeeze, I never knew that!!! And the Saudi royal family is robbing the populace of its country its GNP? Wow, really??? And oil is not renewable? Silly me, I thought it grew on trees! Good thing I have Hollywood to show me the way it all works! (Or almost works, in this movie’s case.) I like to think I’m a somewhat sharp movie viewer (I knew a red box indicated a box of blank rounds, and saw what was coming with that in Crash) but I found Syriana so smugly didactic it actually reached incoherence! And didactic and incoherent are practically polar opposites. Nice try Gaghan; you botched the Traffik to Traffic adaptation too, if you ask me. But then again, you’re making a living in Hollywood and I’m blogging . . . so . . . . well . . . . . . yeah.

But to be fair, at least Hollywood covers this ground with star power like Clooney and Damon. And Hurt, Cooper, Peet, Plummer, etc.. And everyone is in top shape for thier acting workouts here. And the cinematograpy is first class, the direction on point. But the script, while trying to bring you into the deep dark secrets of the oil trade, only manages to get you scratching your head in an unwinnable game of connect the dots. Just as you start to emote with one character and figure out his motivations, you are lead away to another place and person, short-changed. And the part where Clooney crosses into Damon’s story line made no sense at all, especially when he was so driven to find his missing missle which actually wound up in the teenage Muslim’s storyline, not Damon’s! What’s up with that? Gaghan didn’t even follow through on his own foreshadowing! This movie needed another two hours or else two less storylines. Everything is not connected.

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